Monday, July 7, 2008

George Eliot






"An election is coming. Universal peace is declared, and the foxes have a sincere interest in prolonging the lives of the poultry. "










"Harold, like the rest of us, had many impressions which saved him the trouble of distinct ideas".

"I like trying to get pregnant. I'm not so sure about childbirth. "

"I should like to know what is the proper function of women, if it is not to make reasons for husbands to stay at home, and still stronger reasons for bachelors to go out. "





"In every parting there is an image of death. "










"It is never too late to be what you might have been."



"It seems to me we can never give up longing and wishing while we are thoroughly alive. There are certain things we feel to be beautiful and good, and we must hunger after them."

"More helpful than all wisdom is one draught of simple human pity that will not forsake us. "




"Only in the agony of parting do we look into the depths of love. "










"The golden moments in the stream of life rush past us, and we see nothing but sand; the angels come to visit us, and we only know them when they are gone. "










"The important work of moving the world forward does not wait to be done by perfect men. "










"The years between fifty and seventy are the hardest. You are always being asked to do things, and yet you are not decrepit enough to turn them down. "

"What do we live for, if not to make life less difficult for each other? "


"What greater thing is there for two human souls than to feel that they are joined - to strengthen each other - to be at one with each other in silent unspeakable memories. "










"O May I Join the Choir Invisible"


Longum illud tempus, quum non ero, magis me movet, quam hoc exigium.—CICERO, ad Att., xii. 18.


O may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence: live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
For miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge man's search
To vaster issues.

So to live is heaven:
To make undying music in the world,
Breathing as beauteous order that controls
With growing sway the growing life of man.
So we inherit that sweet purity
For which we struggled, failed, and agonised
With widening retrospect that bred despair.
Rebellious flesh that would not be subdued,
A vicious parent shaming still its child
Poor anxious penitence, is quick dissolved;
Its discords, quenched by meeting harmonies,
Die in the large and charitable air.
And all our rarer, better, truer self,
That sobbed religiously in yearning song,
That watched to ease the burthen of the world,
Laboriously tracing what must be,
And what may yet be better— saw within
A worthier image for the sanctuary,
And shaped it forth before the multitude
Divinely human, raising worship so
To higher reference more mixed with love—
That better self shall live till human Time
Shall fold its eyelids, and the human sky
Be gathered like a scroll within the tomb
Unread for ever.

This is life to come,
Which martyred men have made more glorious
For us who strive to follow. May I reach
That purest heaven, be to other souls
The cup of strength in some great agony,
Enkindle generous ardour, feed pure love,
Beget the smiles that have no cruelty—
Be the sweet presence of a good diffused,
And in diffusion ever more intense.
So shall I join the choir invisible
Whose music is the gladness of the world.


George Eliot 1867

Sunday, July 6, 2008

Mirrors


Japan is a great place for getting a mirror on the reality of your culture - unless you are Japanese, in which case this is reality.
We are all reflections.

Atsuko


Overwhelming, astonishing, mind-boggling. Just been to see Atsuko Temma again, again in the small auditorium of a music school - just the 70 or so seats. Her passion and technique are extraordinary - she manages to squeeze the whole of human experience, and our reactions to it, out of a small wooden box, just four strings and some horse hair, although it is a fairly unusual wooden box, being a Stradivarius.


Came out feeling somewhat drunk and dizzy - all a bit much.

Saturday, July 5, 2008

Vikings, puffer fish, and the Milky Way


Today was the Official Opening of the Pools day, so after our Viking breakfast we headed down to beat the rush. A Viking, by the way, pronounced Biking, is an all-you-can-eat breakfast buffet - so I had a goodly sized three-stage breakfast with lunch in mind mixture of sausages, fruit, miso soup, fish, croissants, kameboko fish cakes etc etc.


9 a.m. and we are in the main advance party to the pools, the rest of which consisted of 50 or so scantily clad 19 year olds, a half dozen of whom were in knee-length leather boots. It turned out that this event was being filmed as some kind of promotion/news item, including from an overhead helicopter, and before we could get wet we had to experience a boy band J-rapping on the diving platform, while rent-a-mob screaming girls waved ecstatically, followed by a J-Spice Girl outfit, they of the knee length boots, gyrating and crooning - I have to say that the girls got my vote.


When we finally got in, I was almost immediately told by one of the several hundred lifeguards watching our every move that I couldn't swim in my glasses, as this was dangerous. I thought about pointing out that a partially blind middle-aged swimmer might be more of a health hazard, but decided against it. I was then persuaded to go down a very high, and to my mind dangerous, water chute/tube thing, which woke me up no end, and thence into a simulated surfing chute-jobby, which was without a doubt far more dangerous than me and my glasses could ever be.


We moved on to a simulated wave pool surrounded by large rounded rocks, one of which I sat on to admire the waves. I was immediately told by a lifeguard that sitting on the rocks was dangerous, as I might slip off, and could I therefore move immediately, please, sumimasen.


Spent the afternoon whizzing about the bay in a dinghy, clambering over dangerous rocks, and generally frolicking in a hazardously liberated manner. Came across a small rocky inlet out on the island in the bay, full of killer puffer fish, fugu, swimming ecstatically in circles in what looked like milk. Was informed later that today is the one day a year that these little chaps meet up for sex. Which brings to mind the Tanabata Star Festival in Hiratsuka, which I passed through last night. Up to 3 million people (that can't be true) gather in Hiratsuka over a 4 day period, many dressed in summer kimono, and the guys in yukata (light cotton dressing gowns, type thing). The streets are full of various kinds of food stalls, and the tanabata decorated bamboo are everywhere.
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"Tanabata (七夕), meaning "Evening of the seventh", is a Japanese star festival, derived from the Chinese star festival, Qi Xi (七夕 "The Night of Sevens").

It celebrates the meeting of Orihime (Vega) and Hikoboshi (Altair). The Milky Way, a river made from stars that crosses the sky, separates these lovers, and they are allowed to meet only once a year on the seventh day of the seventh lunar month of the lunisolar calendar. Since the stars come out at night, the celebration is held at night."
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"Tanabata was inspired by the famous Chinese folklore, The Princess and the Cowherd.
Orihime (織姫, Weaving Princess) the daughter of the Tentei (天帝, Sky King, or the universe itself) wove beautiful clothes by the bank of the Milky Way (天の川 Amanogawa). Her father loved the cloth that she wove and so she worked very hard every day to weave it. However, she was sad that because of her hard work she could never meet and fall in love with anyone. Concerned about his daughter, Tenkou arranged for her to meet Hikoboshi (彦星, Cow Herder Star) sometimes called Kengyuu (牽牛, Chinese name of Hikoboshi) who lived and worked on the other side of the Amanogawa River. When the two met, they fell instantly in love with each other and were shortly married. However, once married, Orihime no longer would weave cloth for Tenkou and Hikoboshi allowed his cows to stray all over Heaven. In anger, Tenkou separated the two lovers across the Amanogawa River and forbade them to meet. Orihime became despondent at the loss of her husband and asked her father to let them meet again. Tenkou was moved by his daughter’s tears and allowed the two to meet on the 7th day of the 7th month if Orihime worked hard and finished her weaving. The first time they tried to meet, however, they found that they could not cross the river because there was no bridge. Orihime cried so much that a flock of magpies came and promised to make a bridge with their wings so that she could cross the river. If it rains, the magpies cannot come and the two lovers must wait till next year."
(Wikipedia)
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Ended up in a bamboo beach bar, with pretty waitresses and hazardous fireworks going off around us.
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Starting to empathise with puffer fish and a couple of stars up there, big time.

Wednesday, July 2, 2008

Great Perseids and the bath


Planning ahead, one of the best meteor showers is the Perseids shower in August - up to 60 shooting stars a minute, apparently. Last year we sat round a camp fire in Italy with an amateur astronomer, who pointed out such things, adding a load of mind-boggling statistics. So I have decided to have a party on Saturday August 14th, 2010, to celebrate my half century. Put it in your diary, if you have one for 2010. That's if I'm still alive - if not please have a he-nearly-made-it-but-not-quite wake. I'll be there this August and next, warming up - one plan is for a large communal bath outside in the ruins - very Japanese.




Jah







That's good - I was just heading off for a solitary supper in one of the 'family restaurants' round here when I spotted a cosy reggae ramen shop, run by a cheerful chap called Kaz, who spent 2 years in the Florida keys as a sushi chef. So there I was having a massive bowl of Chinese noodles, cooked by a Japanese, listening to music from the Caribbean. He also stuck on some acoustic Japanese reggae by a friend of his. As I left he managed to blend his cultures by bowing deeply while smiling broadly and calling out 'Think positive! Enjoy Japan! See you man!'. I'll make that a regular port of call from now on.




While we're on the subject of cross-culturalism, why is it that the Bay City Rollers, Audrey Hepburn and Anne of Green Gables are so popular in Japan?


The Sweet, Mud, Showaddywaddy? Nope - but the Bay City Rollers are mimicked every night in some karaoke bar over here.


Julie Christie? Raquel Welch? Never heard of them, but Audrey Hepburn is regularly cited as 'my hero(ine)' by my 18 year olds, and appears all over the place.
(James Curtis Hepburn, btw, invented a Roman alphabetic writing system for Japanese - coincidence?)


Anne of Green Gables is likewise some kind of superstar here - Japanese housewives throng, or aspire to, the Anne of Green Gables theme-house on Prince Edward Island. Is it because she is cute, but answers back?




Tuesday, July 1, 2008

Rhythms


July 1st and the beaches are now officially open, as is Mount Fuji - so it's now OK to go for a swim, or a long semi-vertical walk, whereas yesterday it would have caused consternation. Our local beach has had 6 or 10 rather magnificent bamboo beach bars erected on it over the last month, sunk into the sand, so tonight we felt obliged to show willing and respect local customs by sitting in one of them, 20 yards from the Pacific, the gentle rollers washing rythmically like they do (I never know how to spell rythm/rhythm/rythym... it's rhythm). Nice bar staff. Could become a habit - local customs and all that.